Monday, November 2, 2009
Convincing is the Name of the Game
To me, this was the most striking quote from the Godmilow document. I feel that it underlies one of my own preheld (and confirmed) conceptions about documentary and, to widen the perspective, nonfiction films in general. As we have previously said in class, all directors come at a movie looking to express some point or perspective on an issue. Since society looks at documentary films and nonfiction works especially in regards to “telling the truth” and revealing something about a possibly unknown topic, it really is in the director’s hands to “change people’s minds”. In my own personal opinion, every type of movie shows some kind of message, which can be interpreted as what Godmilow expresses; a change in people seeing things. In this case, nonfiction should entirely rely upon fact and upon revealing facts, which in many ways, it does. Society looks at, and defines nonfiction as that which DOES change people’s perceptions on a topic. What one must keep in mind is that a change in perception can either be in opinion or in fact. We can see this in a comparison of say, Fahrenheit 9/11’s affect on a viewer verse the effect of a nature film on some exotic penguin in Antarctica. In these cases, each has a different effect on a viewer, but both change some aspect of their mind (perception) and therefore, succeed in Godmilow’s point.
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I'm not sure that Godmilow would count (say) 'March of the Penguins' as pushing our intellectual boundaries in the way that she intends; which suggests that maybe you don't have her quite right, Miheer (which could also be a function of her being unclear). Another question to consider is: why should we assume it's a good thing to change perspectives? What if a person's perspective is changed to the *wrong* one? And can't a film simply exist to show us something, without changing our view on anything of substance?
ReplyDeleteI agree that Godmilow wants people to push their intellectual boundaries through films. I'm a little confused about Charles' question regarding changing someone's perspective to the "wrong" one because I don't think that there is a wrong perspective. If a film exists, it's because whoever made that film believes their perspective to be the right one. So if a viewer is convinced of that perspective, how can someone else come in and say that they are wrong?
ReplyDeleteThat is an excellent question, Chris! I would say, though -- to bring us back to some questions we were thinking about earlier in the semester -- that if someone watched a film and came away with the perspective that the earth is flat, or that the Nazis were right, or something even worse, that we would feel comfortable calling their perspective 'wrong'. Do you disagree?
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